Spiderwoman Theater
Spiderwoman Theater
The Spiderwoman Theater Group from New York
The Spider Woman Theater Company was founded in 1975 by sisters Lisa Mayo, Gloria Miguel and Muriel Migue as a group, which mostly worked with performers from a Native American background. The company’s name is derived from a Hopi goddess. In their plays, the group interweaves dialogue, movement and music to connect different narrative strands, often adding a fair portion of slapstick comedy. To describe its method, the group has coined the term “storyweaving”. "Women in Violence", the first Spiderwoman production, was premiered in New York in 1976 to great success, which also brought the group to Europe. In its productions, the Spiderwoman Theater Company continues to examine the current situation of Native Americans, Native American history, resistance and survival.
artists' website:
www.spiderwomantheater.org
This video was produced during the company’s
Lysistrata Numbah
tour. In their performance
Lysistrata Numbah
, premiered in 1977, Spiderwoman Theater created a revue of likeable and less likeable characters, satirizing female gender stereotypes.
Production: Ulla Ledin and Video AB
Courtesy Spiderwoman Theater
Document media
Video, colour, sound, 30:00 min
Issue date
1979
Tags
cabaret
,
de/construct identities
,
pleasure
,
racism
,
resistance
,
roleplay
,
stereotypes
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abstraction
activism
aggression
aging
appropriation
authorship
be-coming
beauty
body control
body object relation
cabaret
capitalism
childhood
collectivity
conflict
consumerism
craft
dance/choreography
de/construct identities
death
desire
destruction
dis/ability
dis/appearance
dreamscapes
durational performance
exhaustion
extended body
failure
fashion/glamour
femininity
flesh
fluxus
fragmentation
gaze
happening
health/illness
his/herstory
housework/carework
human/non-human animals
in/visibility
inscription
institutional critique
intimacy
labour
language
laughter/humorous
lecture performance
manifesto
masculinity
masquerade
mass media
maternity
measuring
metamorphosis
migration
military
music
mythology
nationalism
nature
networks/affiliations
normativity
pain
painting/drawing
participation
patriarchy
pleasure
pop
post-communism
precarity
private/public
public space
queer
queer/drag
racism
re-enactment
repetition/seriality
resistance
ritual
roleplay
score
sexual violence
sexualities
skin
sound
state oppression
stereotypes
the common
therapy
torture
touch
trash
violence
voice
voyeurism
vulnerability