Pauline Boudry / Renate Lorenz,
Charming for the Revolution
, 2009
Pauline Boudry & Renate Lorenz
Charming for the Revolution
The collaborative works of Pauline Boudry and Renate Lorenz (who collaborate since 2007) often revisit materials from the past. They make references to and excavate unrepresented or illegible moments of queer/feminist subversion in history. The majority of their works incorporate performances. Their regular collaboration with performers (such as Werner Hirsch aka Antonia Baehr (see also BAE 1), Vaginal Davis, Yvonne Rainer (see also RAI 1) and Wu Ingrid Tsang)) and their technique of shooting long sequences of performances without interruptions or cuts gives their performances a certain autonomy. And yet the films do not function as re-enactments or as performance documentation. Rather, they stage, edit, remix and repeat actions and contagious gestures which can draw relations between different times, thus revealing possibilities for a queer futurity.
artists' website:
https://www.boudry-lorenz.de/
The film is charming, but it is still labour. The labour to engage in demanding what should already be ours.” With a wink to Jack Smith, the New York underground performer and filmmaker from the 60s to the 80s, and to the history of queer and feminist slogans, such as “wages for housework!”,
Charming for the Revolution
recreates the housewife as an ambiguous figure with an open future. Additional references extend from Gilles Deleuze and Félix Guattari’s “becoming–animal”, the Dandy of the 19th century — who out of protest against the clock pulse of industrialisation walked turtles on leashes, as Walther Benjamin described him — to Pasolini’s ironic film criticising capitalism,
The Hawks and the Sparrows
.
Performance: Werner Hirsch
Director of Photography: Bernadette Paassen
Sound: Karin Michalski
Sound Design: Rashad Becker
Set Photography: Andrea Thal
Produced in connection with the festival “Live Film! Jack Smith!” Berlin 2009
Texts: Pauline Boudry / Renate Lorenz
Courtesy Pauline Boudry / Renate Lorenz
Document media
16mm film, colour, sound, 11:00 min
Issue date
2009
Relations
Antonia Baehr (BAE 1)
Yvonne Rainer (RAI 1)
Tags
be-coming
,
human/non-human animals
,
labour
,
manifesto
,
queer/drag
,
resistance
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abstraction
activism
aggression
aging
appropriation
authorship
be-coming
beauty
body control
body object relation
cabaret
capitalism
childhood
collectivity
conflict
consumerism
craft
dance/choreography
de/construct identities
death
desire
destruction
dis/ability
dis/appearance
dreamscapes
durational performance
exhaustion
extended body
failure
fashion/glamour
femininity
flesh
fluxus
fragmentation
gaze
happening
health/illness
his/herstory
housework/carework
human/non-human animals
in/visibility
inscription
institutional critique
intimacy
labour
language
laughter/humorous
lecture performance
manifesto
masculinity
masquerade
mass media
maternity
measuring
metamorphosis
migration
military
music
mythology
nationalism
nature
networks/affiliations
normativity
pain
painting/drawing
participation
patriarchy
pleasure
pop
post-communism
precarity
private/public
public space
queer
queer/drag
racism
re-enactment
repetition/seriality
resistance
ritual
roleplay
score
sexual violence
sexualities
skin
sound
state oppression
stereotypes
the common
therapy
torture
touch
trash
violence
voice
voyeurism
vulnerability