Tania Bruguera,
Tribute to Ana Mendieta
, 1992, photo: Gonzalo Vidal Alvarado
Tania Bruguera
Homenage a Ana Mendieta
Tania Bruguera (*1968, Cuba, USA) is a contemporary interdisciplinary artist working internationally with such media as performance and installation art. Her political art both reflects and discusses her personal and national background – Bruguera was born and grew up in Cuba – by exploring matters of power, discipline, violence, exile and migration. She understands “art as an agent for social change” and proposes that it has “to be completely linked with life – and not a fiction or a virtual reality, but as alive as possible. My art has to have a real function for myself, to heal my problems, or to help other people to reflect and improve.” Interested in influencing rather than representing socio-political contexts, Bruguera has created long-term interventions such as Cátedra Arte de Conducta (Behavior Art School) – a school she founded in Havana with the pedagogical and artistic purpose of improving “the relationship between performative arts and politics and its implementation in society” – and the Immigrant Movement International, the formation and development of a political party.
artist's website:
www.taniabruguera.com
The project
Homenage a Ana Mendieta
(Tribute to Ana Mendieta) started as Bruguera’s thesis at the Instituto Superior de Arte in Havana. For 10 years she re-enacted artworks and projects by Ana Mendieta, including her signature
Silueta Series
, opposing official policies aimed at erasing the cultural contributions of Cuban expatriates. The
Silueta Series
(1973-1980) is a group of works in which Mendieta – exiled from Cuba at the age of 13 – placed her naked body or marked her female silhouette (using different organic materials such as rocks, sand and flowers) in varied landscapes. EF
Photography: Gonzalo Vidal Alvarado
Courtesy Gonzalo Vidal & Studio Bruguera
Document media
Photographs
Issue date
1985-1996
Relations
Ana Mendieta MEN 3
Tags
re-enactment
,
his/herstory
,
migration
,
dis/appearance
,
nature
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abstraction
activism
aggression
aging
appropriation
authorship
be-coming
beauty
body control
body object relation
cabaret
capitalism
childhood
collectivity
conflict
consumerism
craft
dance/choreography
de/construct identities
death
desire
destruction
dis/ability
dis/appearance
dreamscapes
durational performance
exhaustion
extended body
failure
fashion/glamour
femininity
flesh
fluxus
fragmentation
gaze
happening
health/illness
his/herstory
housework/carework
human/non-human animals
in/visibility
inscription
institutional critique
intimacy
labour
language
laughter/humorous
lecture performance
manifesto
masculinity
masquerade
mass media
maternity
measuring
metamorphosis
migration
military
music
mythology
nationalism
nature
networks/affiliations
normativity
pain
painting/drawing
participation
patriarchy
pleasure
pop
post-communism
precarity
private/public
public space
queer
queer/drag
racism
re-enactment
repetition/seriality
resistance
ritual
roleplay
score
sexual violence
sexualities
skin
sound
state oppression
stereotypes
the common
therapy
torture
touch
trash
violence
voice
voyeurism
vulnerability