Sanja Iveković & Performance Saga
Interview
Already in the 1970s Sanja Iveković (*1949, Croatia) dealt explicitly with feminist and political themes in her photographs, videos, collages, performances and public art. She explores the image of women in communist society, especially in former Yugoslavia. She uses her body and her own personal photographs to question constructions of femininity and identity in commercial advertising, magazines and film and exposes the ways in which mass-mediated imagery and normative codes of behaviour influence our everyday lives.
Performance Saga
transmits and updates the history of Performance Art on many different levels and promotes a dialogue between the generations. The project includes the conception and realization of performance pieces, the publication of video interviews and the planning of events. Performance Saga is a project by the artist Andrea Saemann and the art historian Katin Grögel, their contribution to the conference of
re.act.feminism - performance art of the 1960s and 70s today (2008/2009)
is a live interview with the artist Sanja Iveković.
Format
Audio Document
Document media
Live Interview
Issue date
2009
To be seen in
re.act.feminism - performance art of the 1960s and 70s today, Conference and Live Performances, Akademie der Künste, Berlin, 24.1.2009 / 5:15 pm
Relations
Sanja Iveković
Performance Saga (PER 1)
Andrea Saemann (SAE 1)
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abstraction
activism
aggression
aging
appropriation
authorship
be-coming
beauty
body control
body object relation
cabaret
capitalism
childhood
collectivity
conflict
consumerism
craft
dance/choreography
de/construct identities
death
desire
destruction
dis/ability
dis/appearance
dreamscapes
durational performance
exhaustion
extended body
failure
fashion/glamour
femininity
flesh
fluxus
fragmentation
gaze
happening
health/illness
his/herstory
housework/carework
human/non-human animals
in/visibility
inscription
institutional critique
intimacy
labour
language
laughter/humorous
lecture performance
manifesto
masculinity
masquerade
mass media
maternity
measuring
metamorphosis
migration
military
music
mythology
nationalism
nature
networks/affiliations
normativity
pain
painting/drawing
participation
patriarchy
pleasure
pop
post-communism
precarity
private/public
public space
queer
queer/drag
racism
re-enactment
repetition/seriality
resistance
ritual
roleplay
score
sexual violence
sexualities
skin
sound
state oppression
stereotypes
the common
therapy
torture
touch
trash
violence
voice
voyeurism
vulnerability